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Joined 1 year ago
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Cake day: June 18th, 2023

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  • Lemmy simply hasn’t been enough content. I still use Lemmy (obviously, I’m here) but I also supplement with other places.

    For example, I used to enjoy the sub for one of my favorite sports teams. A lot of posts tended to be articles from the same handful of news outlets. Now instead of reading through Reddit I just have that website up and routinely check for new articles.

    I use the Google News app occasionally. It usually sucks.

    I also use Instagram a lot more. I only reluctantly downloaded it and created an account because my wife and a few friends wanted to send me things. Then I used it more when my band released an EP as a way to promote that. For pure entertainment rather than informational purposes, I usually go to Lemmy first and exhaust what is good quickly, then go to Instagram after.

    I know it sucks. I don’t like having an app from Meta on my phone. I know it can become an unhealthy habit. But I also drink and eat junk food, so there you go.



  • I’ve been meaning to re-watch Korra, but I remember even the first time I watched it being a bit disappointed in the “enlightened centrism” where they are trying to paint every conflict as pacifists vs extremists.

    I think it’s similar to looking at BioShock 1 and BioShock Infinite. There’s a lot of writers out there who just use politics and ideology as a setting for the conflict rather than actually being central to their message. It’s simply a solid formula to make a villain: take any sort of stance and push it to violent extremes. Comstock is a religious zealot, Andrew Ryan I don’t think ever even mentions spirituality if I remember. Ken Levine’s message in the two games is not about religion, but extremes.

    There are benefits. It makes the villains more nuanced and relatable. It gives the protagonist room for doubt and allows for some of the “good” guys to take on antagonistic roles. But Korra also ends up supporting an oppressive regime, and Booker DeWitt gets shoehorned into fights against the people rebelling against his enemy because… Reasons?




  • If you want artists to get paid, you need to pay them more directly.

    The highest margin for most is probably merch purchased at venues, including physical media. After that it’s probably the merch store on the artist’s website. They make money off of ticket sales for shows too, but there’s a lot of middle-men and actual costs to shows so there’s a wide variance in profit margin. Even local acts at bars: sometimes it’s a pay-to-play scheme where the band could be losing money, sometimes they’re making a few hundred bucks for a night.

    Streaming on Spotify or an ad-sponsored platform like YouTube is going to give small fractions of a penny per-stream to the artist. There’s plenty of artists out there who have opened their books and shown they make more from releasing music as pay-what-you-want than from Spotify.